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lroum

The interview recording studio at Classical 89.

Of course I’m not going to pass up an invitation to be interviewed on our local classical music station and talk about my favorite classical pieces, so when they asked I jumped at the chance. And when they invited my husband to be interviewed as well, I didn’t have to do much arm twisting there. We’re both classical music nerds, I’m afraid.

Classical 89 in Provo, Utah is our favorite radio station. It’s what I wake up to every morning at 5:00 a.m. and 6:00 a.m. (in case I missed that first alarm.) The publicly-funded radio station invites listeners to become part of Friday Favorites and share with interviewer, Mark Wait, their favorite piece of music and why and so I didn’t hesitate when they invited me via Facebook.

Easy peasy, I thought at first. I love music, especially the classical stuff. But then I had to narrow it down to just two. Not so easy peasy. Yet, I did find my top two that I shared with Classical 89′s listeners and I thought I’d share it with you too. Plus you get to hear what we sound like and I promise you, we’re not classical music snobs.

Bolero

Listen to my interview as I explain why I’m so in love with this piece. We talk a little about jazz and I confessed that it took me awhile to appreciate Miles Davis, but I do now and in a very big way. I want you all to know that.

So back to Ravel. If there ever was a soundtrack for my romance with my husband it’s this piece and I explain it in the interview below. (Click on the play button next in the black bar below and you’ll hear the 2 1/2 minute interview.)

 

So, the Bolero masterpiece is 15 minutes long and there are always the snickers from those who’ve seen the movie 10, but you must go and give it a play. Especially the version by Cincinnati Symphony and Orchestra. I have not heard another recording as stirring as that one.

Gymnopédie

There is something a little jazzy about Erik Satie’s Gymnopédies.  They’re jazzy because Satie took the melodies and stretched them out into what seems like the atmosphere and then they come back to you contained as a unit. It’s all so indicative of the impressionistic movement going on at that time. I’m rather fond of Gymnopédie 1, particularly the Claude Debussy orchestration, which doesn’t lose its simplicity going from Satie’s original piano work to orchestration.

When I contacted Classical 89′s studio to get a copy of my interview they couldn’t find it. (I know! Bummer!) Somehow it may have gotten deleted, so I’ll tell you here my Satie story. As you recall from the interview above about Bolero, I had met my husband online and we were corresponding long distance from two continents. We would see each other about every six weeks and during one of our rendezvous he suggested we go on a road trip. As I was putting my bags in the back seat of his car I noticed a plastic shoe box full of CDs and right there on the top was an Erik Satie album.

“I’m going to marry that man,” I thought to myself.

Rhapsody in Blue

There was a bit of a squabble between Steve and I as to who was going to use Rhapsody in Blue in the interviews. It’s one of my favorites, but Steve called “dibs” on it and so I let him have it to share in his interview. (Besides, I had so much trouble narrowing down my own choices.) Steve talks a little about jazz and Woody Allen, which continues to endear me to my husband. Here is Steve’s interview (Click on the play button in the black bar. The interview is just shy of a minute)

 

Ride of the Valkyries

I have a love/hate relationship with Ride of the Valkyries. It’s so not the piece of music I want to hear before 10:00 a.m.  (Remember, my alarm is set to Classical 89 and there’s been twice that they’ve played Ride of the Valkyries right as the wake-to-music alarm went off. Jolting, I tell ya.) I think Steve loves this piece because he loves war movies. And he’s right, as he and the interviewer explain in the recording below—it was so fitting for the movie Apocalypse Now. I’ve always wondered how Wagner felt about that. (Click on the play button in the black bar. The interview is only 2 mins 2 seconds.)

 

Is there a piece of music that you just adore? Tell me in the comments below.